Forrest McDonald and the Art of History

A review of Recovering the Past: A Historian’s Memoir (University Press of Kansas, 2004) by Forrest McDonald

“History is marble, and remains forever cold, even under the most artistic hand, unless life is breathed into it by the imagination. Then the marble becomes flesh and blood—then it feels, it thinks, it moves, and is immortal.” —Charles Gayarré (1805-1895)

It is often the case that geniuses defy simple categorization as adherents of a particular school of thought or as exemplars of a particular genre. One thinks, for instance, of Ludwig van Beethoven, who is said with some truth to bridge the classical and romantic periods of music. Though such modes of thinking can be helpful in making sense of the creator’s creations, the best approach to understanding an artist or writer is to consider him on his own terms. Of course, understanding someone in context is important, but in focusing too much on context and intellectual genealogy, individuals can be reduced to mere byproducts of others’ influences instead of being seen as creative actors in their own right.

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