In a healthy society, in which the president does not carry racial biases that impact his judgment and ability to function effectively, Obama would denounce Sharpton for the agitator that he is... But we are not a healthy society any longer, we are divided because we have a president who is angry and hostile, juvenile and racist, ideological, narcissistic, and power-hungry, says Lauri Regan in this article, Race-Baiting in the Era of Obama, at the American Thinker. If the real story came out – that the true unemployment rate in this country is almost triple that of the official BLS U-3 rate of 8.2% – confidence in the financial markets and the government's ability to mitigate the crisis would be lost almost immediately... safety nets, including medical care and food assistance, can only take so much before they snap. That moment is rapidly approaching, says Mac Slavo in this article, 88 Million (That’s One In Three Americans) Are Invisible to Government Employment Statistics, at SHTFPlan.It's really “the law of club and fang” (bonus points if you know where that came from) with an extremely thin and translucent veneer of “civilization” over top. Are you prepared for the day that veneer peels off? The corners are curled right now. One stiff breeze will blow it away. The glass is dropping. Are you ready?
Mayberry, keepitsimplesurvival.wordpress.com
From Kodak, A Thousand Words
- In these newly preserved tests, made in 1922 at the Paragon Studios in Fort Lee, New Jersey, actress Mae Murray appears almost translucent, her flesh a pale white that is reminiscent of perfectly sculpted marble, enhanced with touches of color to her lips, eyes, and hair. She is joined by actress Hope Hampton modeling costumes from The Light in the Dark (1922), which contained the first commercial use of Two-Color Kodachrome in a feature film. Ziegfeld Follies actress Mary Eaton and an unidentified woman and child also appear.
- In these newly preserved tests, made in 1922 at the Paragon Studios in Fort Lee, New Jersey, actress Mae Murray appears almost translucent, her flesh a pale white that is reminiscent of perfectly sculpted marble, enhanced with touches of color to her lips, eyes, and hair. She is joined by actress Hope Hampton modeling costumes from The Light in the Dark (1922), which contained the first commercial use of Two-Color Kodachrome in a feature film. Ziegfeld Follies actress Mary Eaton and an unidentified woman and child also appear.
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